One way to be seen as easy is to understand the themes of meditation globally. And that would be to look at the sequence of themes as if starting from a state of profound ignorance and reaching a state of enlightenment, which is rapture, such are the themes of meditation.
For example, in The Black Veiled Lady, we emphasize what obscures our understanding, understanding, and life. In the Abyss, we strive to realize our isolation due to our state of consciousness. In the Two Roads, we already begin to see a little light. We already realize if we must go this way or here. However, the point is to detach me from the old habits, which I have already begun to see in the Lady of the Black Veil, and I have already begun to realize how they have entrenched me in the Abyss, in the Abyss of lack of communication, of misunderstanding. And then, in the Two Roads, I already have more light: I'm going this way or this way.
However, as old habits have so much power, such as the crease in folding a sheet of paper, which we saw in the video of the Lady of the Black Veil, the marked sheet always tends to fall to the same side. Then I must generate a force, another fold in the opposite direction, so the napkin straightens. I will not reach the Standard if I do not stop at the Two Roads and make a detachment. I will not arrive, and I cannot skip detachment to distinguish it from the election. In the Two Roads, the point is to fold the paper to the other side and let go of the old habits, to let go of the way of being that I have and that it no longer pleases me, that I like another way: the most universal, the most open, the most expansive. Only then will I be able to raise the Standard. I already know how things are because I already have somewhere to settle on.
The Lady of the Black Veil leads me to the Abyss, and it leads me to expansion and understanding. If, in the Two Roads, we should already hold an election. We must stop at the Two Roads and discern what is proper for us and everything else that is not; we will never cut the bond again. It's as if we left the dust behind. However, didactically, we can only speak of the Standard and an election of life. If not, we do not have the strength to choose and see what suits us best because the temptation of the past, the old, and the obscure will always pull us. And we must let go of that. Only then we will be able to hold an election.
The founder of Cafh also taught us how to take the picture. He said that, at any time of the day, especially if we were a little too involved in the whirlwind, we could take advantage and stop for a few seconds, take the picture, and see ourselves as we were at that moment. What am I doing, and what am I thinking about? It's what keeps me stuck, what corners me now, and how much I've forgotten who I am and where I'm going. But the main thing is to reveal the shell we live in and the image we live in.
And if we look at the themes of meditation, from this point of view, it is genius, the progression. And how we help ourselves with the exercises through boredom, desolation, detachment, and election.
And so, we can enter the Golden Temple.
For example, in The Black Veiled Lady, we emphasize what obscures our understanding, understanding, and life. In the Abyss, we strive to realize our isolation due to our state of consciousness. In the Two Roads, we already begin to see a little light. We already realize if we must go this way or here. However, the point is to detach me from the old habits, which I have already begun to see in the Lady of the Black Veil, and I have already begun to realize how they have entrenched me in the Abyss, in the Abyss of lack of communication, of misunderstanding. And then, in the Two Roads, I already have more light: I'm going this way or this way.
However, as old habits have so much power, such as the crease in folding a sheet of paper, which we saw in the video of the Lady of the Black Veil, the marked sheet always tends to fall to the same side. Then I must generate a force, another fold in the opposite direction, so the napkin straightens. I will not reach the Standard if I do not stop at the Two Roads and make a detachment. I will not arrive, and I cannot skip detachment to distinguish it from the election. In the Two Roads, the point is to fold the paper to the other side and let go of the old habits, to let go of the way of being that I have and that it no longer pleases me, that I like another way: the most universal, the most open, the most expansive. Only then will I be able to raise the Standard. I already know how things are because I already have somewhere to settle on.
The Lady of the Black Veil leads me to the Abyss, and it leads me to expansion and understanding. If, in the Two Roads, we should already hold an election. We must stop at the Two Roads and discern what is proper for us and everything else that is not; we will never cut the bond again. It's as if we left the dust behind. However, didactically, we can only speak of the Standard and an election of life. If not, we do not have the strength to choose and see what suits us best because the temptation of the past, the old, and the obscure will always pull us. And we must let go of that. Only then we will be able to hold an election.
The founder of Cafh also taught us how to take the picture. He said that, at any time of the day, especially if we were a little too involved in the whirlwind, we could take advantage and stop for a few seconds, take the picture, and see ourselves as we were at that moment. What am I doing, and what am I thinking about? It's what keeps me stuck, what corners me now, and how much I've forgotten who I am and where I'm going. But the main thing is to reveal the shell we live in and the image we live in.
And if we look at the themes of meditation, from this point of view, it is genius, the progression. And how we help ourselves with the exercises through boredom, desolation, detachment, and election.
And so, we can enter the Golden Temple.